IFC is my new favorite channel. And it should be yours, if you are a comedy nerd of any flavor. Aside from resurrecting wonderful series like Mr. Show, The Ben Stiller Show, and Freaks and Geeks, IFC also boasts some solid original programming.
Enter Portlandia.
Portlandia stars Fred Armisen and Carrie Brownstein as various characters in the hipster-yuppie haven that is Portland, Oregon. No one is free from lampooning: ultra-feminist bookstore owners, aggressive bikers, locavores, you name it. Short vignettes depict these characters in their element, and it’s at once hilarious and uncomfortable.
The show’s received rave reviews – and for good reason – but a lot of them seem to miss the mark. Newsweek describes the show as “regional comedy at its best,” spending an entire review describing how right Portlandia gets the Pacific Northwest. And they might be right.
But, at its core, Portlandia is not about Portland. It couldn’t be. Comedy shows rely on recognition of experience – the Homer Simpson “it’s funny because it’s true” paradigm, but more specifically, “it’s funny because it’s true to me.” To make a comedy solely focused upon the idiosyncrasies a small city on the geographic fringe of the country would not have broad appeal. Inside jokes do not a successful comedy make.
So, then, what is Portlandia about? It’s an extended character study. We’re shown the most obnoxious aspects of the hipster-yuppie types that any urbanite – or even suburbanite – encounters on a regular basis, not simply Portlanders. We find humor in seeing the characters who bear close relation to our own experience. Upon watching this clip, for example, my first thought was, “Man, I know so many people like that.” My second thought was, “Crud. Am I really that obnoxious?” It can be unsettling to watch.
To dig a little deeper, Portlandia not only illustrates those common types, it also creates a surreal world in the guise of the Portland name. The characters do not recognize the absurdity of that world, being part of it, but we do. That surreality removes the show from a particular time and place and makes the situations, oddly enough, more universally applicable. Not only is the space not Portland, it might as well be part of another universe.
Here’s a case of the absurd: the dumpster divers, while scrounging for cheap wares, find a mute young man in a dumpster. Normal for Portland, right?
So, in the end, Portlandia presents a world that we can see ourselves and our peers in, but remain separate from. That’s how you do good comedy. Fortunately, the show just got picked up for a longer second season – ten episodes, instead of six – so we’ll get to enjoy more of the awkward.